Showing posts with label Critique. Show all posts
Showing posts with label Critique. Show all posts

Tuesday, May 24, 2016

The Southeastern Writers Association Workshop--A “Boutique” Conference (REVISITED)


As we countdown the days until the 41st Southeastern Writers Workshop begins, we want to tell everyone how good it is and encourage them to join us!  Three years ago, SWA's vice president, Buzz Bernard revealed how the Workshop changed his writing life.  Could it change yours?  Maybe!

From the then Purple Pros Blog, Tuesday, September 3, 2013 

It wasn’t an easy decision for me.

I had to burn a week’s vacation and shell out several hundred bucks just to mingle for five days with 75 people I’d never met before. While I’m not shy, I’m not by nature exceptionally outgoing. Thus, having to hang out with a bunch of folks I didn’t know was well outside my comfort zone.

Not only that. This was to be at a writing conference. The people there would be–GULP–real writers. I knew for certain I’d be exposed as the Great Pretender, a shameless charlatan. My work would be sliced and diced. I’d become the laughing stock of St. Simons Island.

But . . . I wanted to be a novelist. So I schlepped off, with great trepidation, to the 30th annual Southeastern Writers Workshop in 2005, over eight years ago.

Eight years ago. Nine conferences ago. Three published novels ago.

The bottom line: It paid off.

It paid off so well, I felt compelled to give something back. So two years ago I joined the Board of Directors and now serve as vice president.

Some of the people I met at the 2005 gathering became close friends and I’m sure will remain so for many years. Others, whom I met at subsequent workshops, instructors especially, became great encouragers. These were folks who kept me going when I was ready to run up the white flag after 10 years, 4 manuscripts and no takers. When I was ready to surrender and just piss away my money on golf courses and 19th holes instead of writers workshops. When I was ready to simply throw up my hands and say Screw it.

Thank God for the Southeastern Writers Association.

And here’s where I let you in on a little secret. My writing was, in fact, sliced and diced at that first conference. But guess what. So was everybody else’s. It’s called learning. It’s called earning your spurs. It’s called trial by fire.

It’s what virtually every real writer must go through, whether it’s at St. Simons or in a prestigious MFA program.

Here’s another little secret: My slicer and dicer at that first conference was NY Times best-selling author Steve Berry. Steve had been through the mill before he hit it big, so he knew what it took to get there. Ironically, he later became one of my great encouragers.

Steve doesn’t do critiques any longer, but believe me, there will be plenty of exceptionally skilled instructors at the 2014 workshop who will do for you what Steve did for me. Yeah, it might be painful. But these are people who will also help you put things back together. Gently. Skillfully. Professionally. They’ll help take your writing to the next level.

A final note about the SWA Workshop and what make it unique. It’s small, limited to no more than 75 students. There’s a distinct camaraderie that develops among and between students and faculty. You get to know one another. You chat over meals and during coffee breaks. You make new friends. You network. It’s a “clubby,” not a “cliquey,” atmosphere.

By way of contrast, I went to a huge West Coast conference in the summer of 2012. It had great instructors and presenters. Big names. Lots of attendees. Lots and lots of attendees. Somewhere north of 500, maybe 600.

Yeah, I met people. We’d sit at breakfast or lunch and attempt to converse over the din of a dining area that seated several hundred. We’d trade names and business cards. Then never see each other again as we elbowed, literally, our ways to whatever sessions were next on our schedules.

Months later, I got emails from several of the attendees I’d met informing me of this or that accomplishment. I’d send back polite attaboys, but never had a clue who any of the folks were. The encounters were too brief and too many.

Take away this: You’ll remember the people you meet at the Southeastern Writers Workshop.







H.W. “Buzz” Bernard is a best-selling, award-winning novelist. His novels include Blizzard (the most recent), Eyewall, Plague and Supercell.  Buzz is a native Oregonian and attended the University of Washington in Seattle where he earned a bachelor’s degree in atmospheric science; he also studied creative writing.  He’s currently vice president of the Southeastern Writers Association.  He and his wife Christina live in Roswell, Georgia.




June 17-21, 2016 
Epworth by the Sea 
St. Simons Island, Georgia

Tuesday, April 12, 2016

A Lesson Learned From Another Writer’s Works




I learn something from every book I read. Today I re-learned the danger lurking in character names. In one paragraph, the author had Jamie, Jennifer and Jimmy. One danger is using a name that is acceptable for either sex. I had to think back to remember Jamie was not a guy. A couple of paragraphs later, a last name was mentioned. Oops. Whose last name?

Yes, the full name was given earlier, on a page I read yesterday, and I couldn’t remember the connection. I’ve read books by that author before—a national award-winning writer who is VERY successful—and I’ve had the same problem. First names give way to last names over and over—takes awhile for me to get them all straight, and I “ain’t no dummy.” Makes me wonder how easy it is for other readers to keep ‘em straight.

I have always tried to make it easy for my reader to recognize my characters’ names by the same rule a speaker is supposed to follow. The KISS rule, “Keep it simple, Stupid.” (The Stupid refers to the speaker and the author.)

I give ‘em a name, continue to use it, and keep in unlike any other character’s name.

In my upcoming memoir, I had to change names of real people because there three men with the same name:  Bob the hunter, Bob the game warden, and Bob the judge. I changed the hunter’s name, but each time I mention the warden or the judge, I made it clear who was who.  By the same token, I try to keep the story/writing above the  “simple” because if I don’t, I’ll lose the reader in the first couple of pages.


I think the most important aspect of writing is to avoid confusing the reader—and thereby losing the reader, who won’t come back for another book.









Susan’s novel When Darkness Fell won the Indie Award for best Regional Fiction. Her first novel The Bottom Rail placed as semifinalist in the Georgia Author of the Year Awards for first novel.  Two short stories won first place in their genres from the Knoxville Writers Guild in 2015.  She has won numerous awards for fiction, nonfiction and poetry at various SWA workshops.  She has eight published books, two at the publishers.


Thursday, July 16, 2015

5 THINGS TO LOOK FOR WHEN SELECTING A CRITIQUE GROUP




Among an author’s acknowledgments and thank you’s is often a reference to his critique group. A critique group may be the single best thing any writer can do to develop her craft and put a work-in-progress into publishable form. I was very fortunate to be a member of a quality critique group for about eighteen months and these are my thoughts.

GENRE


Generally, the more narrow the scope of the group, the better. If you’re writing poetry, then your group should be limited to poetry. People who write in other genres will probably not be able to give you quality feedback. It is best if you can find a group that writes only in your specific genre but you’re probably going to have to choose between three general categories: fiction, non-fiction, and poetry.

SIZE


If the group is too large then everyone will not have regular participation. If the group is too small, then an absence by one person will adversely impact the quality of the meeting. Also, different members will have different strengths and will notice different things. One of our members saw point-of-view issues while another member saw continuity problems. I recommend no fewer than six people and no more than twelve.

FREQUENCY


This is partly a matter of where you are as a writer and what you want from a critique group. If you are a developing writer and want regular feedback on a work-in-progress, then the group should meet every week. Once a month will not give you enough feedback to develop your craft. Also, meeting less than every week will easily turn into commitment problems.

COMMITMENT


Group members should attend every meeting and participate. If it is your turn to read, then bring material on which you have made a genuine effort. If it is your turn to critique, then give quality feedback to the writer. Of course there will be absences but members should know about these in advance. If a member cancels at the last minute because he has to pick up his wife at the airport, or if someone forgets about the group and schedules a work meeting at the same time, then their position in the group could better be filled by someone else. An occasional absence, with advance notice, is expected. Even longer absences can be accommodated. Our group was blessed with the arrival of two babies!   

QUALITY


This is the most difficult factor to control when forming a group. I was fortunate to have all quality writers, including published writers, in my group. A weak writer, who gives unhelpful feedback, is not productive and will not help you grow in your craft. You’re probably not going to have Pat Conroy or Amy Tan in your group, but members who are quality writers and make a genuine effort to improve their own craft, will help you improve yours.   







Tom Jordan is a lawyer in Atlanta. His short story, “The Treasure of Walker County”, won the Georgia Bar Journal’s 15th Annual Fiction Writing Competition and his short story, “The Boy Who Drew the Spidery X”, won the GT Youngblood Short Fiction Award at the 2015 SWA writer’s conference. He lives in Marietta with two cats, Donner and Blizten.

Friday, May 1, 2015



Let Us Welcome You!


Southeastern Writers Workshop will be June 19-23, 2015 

The weekend workshop (June 20-21) is dedicated to fiction writing. 
The weekday workshop (June 22-23) is focused on nonfiction writing. 

Join us at Epworth by the Sea on scenic St. Simons Island, Georgia.



Want to meet an agent and learn inside scoop on how to draw attention to your work?

Seeking to meet a publisher? 

Looking for tools to grow your writing toolbox and polish your craft? 

Need the comfort of a supportive writing community? 

SWA offers all of this and more.





What better way to truly get a sense 
of SWA and what it has to offer 
than to meet it's members? 

Please meet Patrick Hempfing, SWA Treasurer

 and learn all about his path to publication. 




2011:  Attended first workshop in June with zero publishing credits; Honorable Mention, Young Child and Juvenile Writing Award.  In September, MOMents Magazine published my column “moMENts” and offered me a monthly slot.

2012:  Attended second workshop in June with ten publishing credits; Honorable Mention, The Hal Bernard Memorial Award for Nonfiction.  In November, I decided to self-syndicate “moMENts” nationally.  End of 2012:  17 publishing credits (GA, TX).

2013:  Six of my contest entries placed (five firsts, one third).  Publishing credits at year end totaled 59, spanning ten states and two Canadian provinces.

2014:  Three of my contest entries placed (second, third, and honorable mention); Received SWA Board-sponsored Writers Helping Writers Award.  Became SWA Treasurer.  Publishing Syndicate published one of my stories in Not Your Mother’s Book … On Working for a Living.  End of 2014 publishing credits totaled 180, spanning 19 states and two Canadian provinces.

2015:  In March, “moMENts” reached its 20th state.  On April 22, I hit 250 publishing credits.

I didn’t know what to expect when I drove to my first workshop in 2011.  I left the workshop thinking, “A book deal is not going to happen overnight.  I need to roll up my sleeves as there’s a lot of work ahead in order to achieve my writing goals.”  However, I also drove home from the workshop as a better writer and with a plan.  I’m thrilled with my results to date.

In closing, I’d like to share a story from April, 2013.  I attended one of my wife’s work functions and one of the guests asked my occupation.  Instead of my standard response, “I’m a Mr. Mom,” I confidently answered, “I’m a writer.”  The SWA deserves a lot of credit in helping me become a better writer.  I only wish I had come across this organization sooner. 

You can connect with Patrick at http://patrickhempfing.wordpress.com


We hope to see you in June!
Don't allow this opportunity to slip away. 
Take action NOW!




Wednesday, April 29, 2015

Got it?

Is this what you seek? If so, SWA is offering tools on your path to publication. 

Southeastern Writers Workshop will be June 19-23, 2015 at Epworth by the Sea on scenic St. Simons Island, Georgia.

The weekend workshop (June 20-21) is dedicated to fiction writing. The weekday workshop (June 22-23) is focused on nonfiction writing. 


Got It? Registration completed? 


Register HERE

Got it? Manuscripts submitted for critique?

Find out how to receive FREE manuscript reviews HERE

Got it? Seen the schedule for the workshop?
Peruse it HERE

Got it? Contests Entered? 

More details HERE

The Hal Bernard Memorial Award for Novel
- The first 10 pages (double-spaced)
- 1-page synopsis
- 1-paragraph "elevator pitch."
- Any genre, literary or mainstream



The Past Presidents’ Romance Award
- The first chapter and a five-page synopsis
- Romance novels only

The GT Youngblood Short Fiction Award
- Complete manuscript not over 3000 words
- Any genre, literary or mainstream

The Microcosm Award
- Fiction of at least 100 and not more than 500 words
The Vega Award for Speculative Short Fiction NEW
- Complete manuscript not over 4000 words.
- Stand-alone novel chapters also accepted

Lines of Worth Award
(in honor of Dorothy Williamson Worth and all she did to encourage poets at SWA)
- Each entry should be a collection of three poems, each up to thirty lines, not
including the title.
- Awards will be made to collections.

The Harry Rubin Award for Limericks NEW
- Submit 3 Limericks in standard form

The Julie L. Cannon Award
- Writing which exemplifies the southern spirit preferably in a subtle, nuanced, and
non-stereotypical manner
- 1,000 words or less
- Fiction or nonfiction, NO poetry

The Bill Westhead Memorial Award
- Complete manuscript not over 3000 words
- For the best short story with a subject matter of an event occurring during the
writer's childhood that shaped his/her life.

The Angel Award for Holiday Seasonal Writing
- Short fiction, poetry or essays of 1200 words maximum about the holiday season.

The Thomas Max “You are Published” Contest
- Prize is publication and 25 copies of the book with no obligation to author.
- Manuscript may be submitted in full or only first three chapters.
- A complete synopsis (3 to 10 pages) should accompany all entries. Approximate
word count should be included with synopsis, preferably 40,00 to 90,000 words,
fiction, non-fiction, or a collection of short stories.
- Do not send work currently under consideration by the publisher.
- The standard contract, which will be modified slightly to show that no money is
due from the author, can be seen by clicking here:
http://www.thomasmax.com/images/authorcontract.pdf
- Other details are available at http://www.thomasmax.com/contest.htm or send
SASE to “You are Published,” P O Box 250054, Atlanta GA 30325

The Very Merrie Bosom Buddy Award
- Nonfiction up to 750 words about your best friend.
- This poignant true story must make the reader laugh and cry.

The Dr. George L. Sheppard Memorial Award 
- Nonfiction up to 750 words about a supportive sibling.
- This poignant true story must make the reader laugh and cry.

The Award for Excellence in Inspirational Writing
- The piece may be religious or secular.
- It should be wholesome and leave the reader with a “take away” message of
encouragement, hope, comfort, fresh motivation, or renewed spiritual strength.
- Complete manuscript not over 1500 words

The Cappy Award for Humor

- Complete manuscript not over 1000 HILARIOUS words

Got it? Wanting to network and make writing connections? 

Friday night through Monday night, beginning around 9 pm, SWA will host a “Step Away from the Page” Social. A time to relax and get to know your fellow writers and faculty. 
This is the "What happens at SWA, stays at SWA" part of the workshop. 

Tuesday night is Awards Night with an After Party to follow. 



SWA Members Shine!






Erika Hoffman’s story  "The Best I Could" will be featured in Sasee Magazine of Myrtle Beach in May.



Got it? 

Friday, April 24, 2015



What are you waiting for? 
Register now for SWA's 40th Writing Workshop and Send in those manuscripts: 

Guidelines for Manuscript Evaluations 
(Authors must be registered for at least 2 days to submit manuscripts for evaluation.) 

GENERAL

1. There are 7 evaluation categories:
• Poetry (Evaluator: Chris Tusa) - No more than 100 lines (one long poem or several short poems) - Poetry can be single-spaced
• Novel (Evaluator: C. Hope Clark) - The first chapter and a five-page synopsis
• Flash Fiction (Evaluator: Chris Tusa) - Complete manuscript of at least 100 and not more than 500 words
• Nonfiction (Evaluator: Donald S Vaughan) - The first chapter and a five-page synopsis –OR– Complete manuscript not over 1500 words
• Columns (Evaluator: Darrell Huckaby) - A 1-paragraph description of the column, including the intended media and the target audience, and a 750-word sample column manuscript.
• Memoir (Evaluator: Dana Wildsmith) - The first chapter and a three-page synopsis
• YA Fiction (Evaluator: SR Johannes) - The first chapter and a five-page synopsis

2. Each conference member can submit up to 3 manuscripts for evaluation, but ONLY 1 entry per member per evaluation category.

3. Each manuscript may be submitted to ONLY 1 evaluation category.

4. Manuscripts must be submitted by EMAIL ONLY.

5. The submission DEADLINE IS May 15, 2015. NO extensions. 

6. Manuscripts must be previously unpublished, including cell publication, Web publication and blogs. If your work is openly available to readers online on a blog or article directory (i.e.: ezinearticles.com, gather.com, associatedcontent.com), it is considered PUBLISHED. If your manuscript has been critiqued online through membership website that requires members to login to see the work, it is considered UNPUBLISHED.

7. Simultaneous submissions are OK.

MANUSCRIPTS 1. Manuscripts should have standard 1-inch margins all around. Must be double-spaced and 12-point font, Times New Roman. 2. NO contact or identifying author information should be on the manuscript. Manuscripts should have a header with the title on the left, and page numbers, right. 3. Manuscripts should be attached in a Microsoft Word file. One attachment per email only. 4. The entire submission should be included in one attachment. For example: a book chapter and synopsis should be submitted in one file.

SUBMISSION EMAIL 1. The subject line of the email should include “manuscript + evaluation category name.” For instance: “manuscript – Novel Evaluation.” 2. Author's name, address, phone number, e-mail, and payment-received information should be in the body of the email. Your PayPal receipt or the text from the email you received from the registrar as proof of registration, e.g. Web Accept Payment Received (Unique Transaction ID #xxxxxxxxxxxxxxxxxxx) 3. The manuscript title, word count, and category should also be included in the body of the email. 4. Email manuscript evaluations to evaluation@southeasternwriters.org


** Manuscripts submitted for evaluations by faculty members are not entered in contests. If you want to enter a contest, please see Contest guidelines. **




SWA Members SHINE!






Buzz Bernard:  I'm one of the (many) featured interviewees in this month's edition of THE BIG THRILL, The on-line publication of International Thriller Writers. 








Patrick Hempfing’s moMENts column titled “A Wagon Filled With Memories”
was published in the April issue of ten regional parenting magazines, spanning seven states (NY, PA, NC, SC, FL, TX, and ID), and four newspapers (Capital Gazette, Carroll County Times, Orlando Sentinel, and Sun Sentinel).  Houston Family Magazine published “Lessons Learned” as a web exclusive.

Patrick Hempfing had a 20-year career in banking, accounting and auditing before he became a father at age 44. He is now a full-time husband, stay-at-home dad and author of a monthly column titled “moMENts.” Follow Hempfing at facebook.com/patricklhempfing and twitter.com/patrickhempfing. - See more at: http://www.carolinaparent.com/articlemain.php?A-Wagon-Filled-With-Memories-4377#sthash.IkKUvgF3.dpuf


Linda Joyce signed a contract with Doctor’s Dreams Publishing for the inclusion of two of her poems in Katrina Memoirs to be released on July 1st. Additionally, she'll be a presenting a workshop at the Moonlight and Magnolia Conference, then a guest speaker at the Gulf Coast Writers Association, both events are in Octobers. She's presenting a workshop on SMART-R Goals for Results

Word from the Editor: 
SWA's workshop in June is special. It's unlike other writing workshops. From the moment
you arrive and check-in at Epworth by the Sea, you're able to relax. There are different types of lodging available. Yes, you may bring your family and make it a vacation. There's plenty for them to do while you're immersing yourself in the workshop. (Your room reservation does include your three daily meals.)

We take our meals together in a lovely dining room overlooking the intracoastal waterway. It's a time to break bread, nourishing our bodies, and at the same time, filling ourselves with community. Meal time is a time of exchanging of ideas, learning about your fellow attendees--you never know what expertise they may have that you'll need for a future story or poem. Networking takes place southern-hospitality style.

Classes are lively. Questions are encouraged. Content will enhance the richness of your writing craft and feed your creativity.

Then, there's Open Mic Night, a fun and engaging event where writers read some of their works--no criticisms allowed. Just fun and encouragement in the form of applause. 

And I can't forget the excitement of Awards Night! Everyone waiting with great anticipation to hear the winners of the contests. I've been blessed with several first prize wins, however, I'm equally excited when my friends win. 

As the newsletter editor/blog boss and Author Liaison, a new position on the Board of Directors created to highlight the work of authors attending, I work to spread the news about the benefits of SWA. People often refer to a board position as "sitting," yet its far more like conducting an orchestra with all the juggling I'm doing.  

I wouldn't volunteer my time to SWA if I they hadn't proven to me they live their mission: Writers helping writers.

Let us show you how invested we are at SWA in helping you. Register now and join us!

Warmest Regards, 

Linda Joyce





 


Wednesday, April 8, 2015

April's Anticipation


Greetings! I'm going to come out from behind the curtain and introducing myself. I'm Linda Joyce, Newsletter Editor/Blog Boss for SWA. Each week, sometimes twice I week, I bring you information about Southeastern Writers Association. 

The link to the newsletter is : http://purpleprosswa.blogspot.com/   I'm asking you to share this link on your social media places, like Facebook, Twitter, Tumblr, etc. Support yourself through supporting SWA. 

Why? 
Because that's what writers do. They share information. They support one another. It's how we writers build a supportive community. SWA provides for the needs of writers. 

If you scroll down through previous blogs, you'll discover information about the SCHOLARSHIP that's open until 4/15. You'll learn about CONTESTS --these pay prize money. With your registration, you have the opportunity to receive critique from recognized industry professionals. 

Here's link for REGISTRATION and there you'll find links for ALL the information about the 40th Annual SWA Workshop. 
***The weekend workshop (June 20-21) is dedicated to fiction writing. The weekday workshop (June 22-23) is focused on nonfiction writing, which includes poetry. 

Why is SWA so important? 
Because attending SWA is a step on your path as a writer, regardless if you're published, as many of the members are, or at any other place in your writing path. 

Therefore, I'll be sharing Paths to Publication, the personal success journeys our some of our members. And, maybe soon, you'll share your story with me and I'll be happy to spread the word here...after all, SWA is all about supporting it's members--ALL of it's members. 


Please meet Dr. John House ~

Dr. John House


Without Southeastern Writers Association I would not be an author. A writer, yes. But not an author. 
I started writing poetry in high school and continued, adding short stories, into college and medical school and beyond. My medical practice was so busy I had little time to write. When I retired in 2007 after 36 years, I moved to Brunswick with a dream of full time writing. My retirement last three weeks(that's a whole different story). 

In 2008 I saw an ad (I don't remember where) about the SWA Conference at Epworth. I worked up my courage and applied. The first day I approached the front of Jones Auditorium  and promptly turned around and started back to my car. My thoughts were, 'what am I doing here with real writers?' and I truly planned to leave. Bill Westhead, a member of SWA, stopped me and after a brief conversation ushered me into the building and pretty much stayed close to me for the entire event. Bill is no longer with us but in his memory I established the Bill Westhead Award which is given annually. 
I have written and had published three novels since that first day. With the help of great authors and teachers like Cheryl Norman, Elizabeth Sinclair, David L Robbins, Buzz Bernard and Brian J. Corrigan, I learned the craft of writing and the importance of networking. WRITERS HELPING WRITERS. A fitting slogan for SWA. 

The second year I won first place in the short story competition. The next year I won second place in the same category. This gave me enough confidence to take on a novel and with Lee Clevenger and ThomasMax Publishing  SO SHALL YOU REAP was published in 2011 and I was a nominee for Georgia Author of the Year. I didn't win, but I was thrilled to be nominated and hooked on writing novels for the rest of my life. 

In 2012, Lee Clevenger helped me in the publication of CHOICES, a novel that took place in coastal Georgia and included some of my knowledge of medicine. 

For the next two and half years I applied things I learned from the SWA Conference and advice from other writers and created TRAIL OF DECEIT. I was fortunate to obtain Jeanie Loiacono of Loiacono Literary Agency to represent my novel and in February 2015, the book was published and released by Limitless Publishing LLC. 

I have completed and revised another manuscript which will soon be on its way to Emily Carmain of Noteworthy Editing. Emily has edited all three of my novels and does so much more. She has taught me POV and maintaining pace. I can't stress enough the importance of presenting clean and lean manuscripts to your agents. When Emily finishes the manuscript, it will go to my agent. 

So, it is obvious SWA was a turning point in my writing career. Not only for what I've learned in the classes, but also the networking. It was there that I met Buzz Bernard who has been a mentor, advanced reader, encourager and a friend. I also enjoy reading his successful weather related novels; EYEWALL, PLAGUE, SUPERCELL and BLIZZARD. His success puts pressure on me to improve my writing and I will definitely be at the SWA Conference at Epworth June 19th-24th, 2015. 
John House, Author 

* * * 

I hope you will share the news about SWA. Again, remember there's still time to win a SCHOLARSHIP. Please share this newsletter with your writing friends, heck, share with everyone because you never know who secretly harbors a desire to be a writer. 

~ Best Regards, 
Linda Joyce
Editor of SWA's Purple Pros
Author of the Fleur de Lis series.


Wednesday, March 25, 2015

Quiz time! And Connections for YOU!



Hey there! 

2015 is moving so fast. The SWA workshop will be here before we know it. Are you ready?

Quiz Time!

First question: How can you win a scholarship to the SWA 40th Anniversary Writers Association Workshop? 

To start things off on a good note, here's the answer to that question:

Submit a 300-word essay on why you should be selected to attend the Fiction
mini-workshop or the Nonfiction mini-workshop. You MUST state which mini-workshop
you want to attend--Fiction mini-workshop (June 20-21) 
or the Non-Fiction mini-workshop (June 22-23)

The entry deadline is midnight on April 15th. The scholarship pays for tuition
only. Please email your entry to DebraAyersBrown@gmail.com with a subject line
of SWA Fiction Scholarship or SWA Nonfiction Scholarship.


Are you ready? Take the quiz and let’s see!

 What is the deadline date to ENTER TO WIN a scholarship to the fiction or nonfiction portion of the workshop?

How many manuscripts of yours can be submitted for FREE for critique after you register for the workshop?

What contests that pay MONEY are open for entries? 

Name as many faculty members for 2015 as you are able.

What is the name of the beautiful island where the workshop is held? 

This is an open-book quiz. Here’s where to find the answers: 







Investing in your craft and your career will give you the inspiration, support, and knowledge to keep on the path of writing success. Who knows better than another writer the pitfalls, potholes, and even sink holes along the way? Other writers. Connecting with other writer is an enjoyable part of a writer's journey. 

                                                     

Check out SWA on Twitter
Southeastern Writers


OR on FACEBOOK  




One of the best things about SWA? You learn and grow in your craft, which leads to success! Every week, we share our member's success. 



SWA Members SHINE!




Patrick Hempfing’s moMENts column titled “Leprechauns, Pots of Gold, and Clovers” was published in the March issue of eleven regional parenting magazines, spanning seven states (NY, OH, NC, SC, TX, ID, and CA).  About Families (PA), South Florida Parenting, and four newspapers (Capital Gazette, Carroll County Times, Orlando Sentinel, and Sun Sentinel) published “Happy Reading.”  His moMENts column has now reached 20 states and two Canadian provinces.

We hope to see you at the SWA workshop in June!